Arriagada, A., & Concha, P. (2020). Cultural intermediaries in the making of branded music events: digital cultural capital in tension. Journal of Cultural Economy, 13(1), 42–53.
https://doi.org/10.1080/17530350.2019.1652673
Previous PostWIDER Working Paper 2019/118-Structural transformations and the lack of inclusive growth: the case of Chile
Next PostRethinking neoliberalism, rethinking social movements. Social Movement Studies